Margo Burns is the 10th-generation great-granddaughter of Rebecca Nurse, who was hanged in Salem in 1692 on the charge of witchcraft. She is the project manager and an associate editor of Records of the Salem Witch-Hunt, published in 2009 by Cambridge University Press. This work is the definitive collection of transcriptions of the legal records of the episode. Burns is also a life-long fan of cartoons, cutting her teeth on Popeye and Yogi Bear on Saturday mornings as a child, then formally studying animation for two years in the Rhode Island School of Design's Continuing Education Program as an adult. She has been leading computer animation projects with middle and high school students since 2001 at UNH's Tech Camp in Durham, where each crew makes a complete film in a week. Burns recently retired from St. Paul's School, as the Director of The Language Center, where she was also the adviser to a student club, the International Lunchtime Animation Festival (iLAF), which tapped her personal library of animation of over 750 titles.
ContactMargo BurnsManchester, NH firstname.lastname@example.orgHome Phone: 603-860-4942
From the 1920s to the 1960s, adult American theatergoers could anticipate a cartoon before each feature film. From Mickey Mouse to Donald Duck, Popeye, Betty Boop, Bugs Bunny, Daffy Duck, Tom and Jerry, Mighty Mouse, Casper the Friendly Ghost, and Mr. Magoo, the beloved cartoon "stars" were every bit as memorable as the Hollywood actors who shared the marquee. Many of these cartoons were redistributed as Saturday morning shows for kids of the next generation. Margo Burns offers an introduction to the people and studios that made these films and the changing technology, aesthetics, music, politics, and economics behind them, showing stills, characters, and clips from many of these beautifully hand-drawn films. At the end of her program, participants are treated to one of the classics in its entirety.
On first impression, the witchcraft trials of the Colonial era may seem to have been nothing but a free-for-all, fraught with hysterics. Margo Burns explores an array of prosecutions in seventeenth century New England, using facsimiles of primary source manuscripts, from first formal complaints to arrest warrants, indictments of formal charges to death warrants, and the reversals of attainder and rescinding of excommunications years after the fact; demonstrating how methodically and logically the Salem Court worked. This program focuses on the Salem witchcraft trials of 1692 and 1693, when nineteen people were hanged and one crushed to death, but also examines a variety of other cases against women in New Hampshire, Massachusetts, and Connecticut.
New Hampshire Humanities programs are made possible in part by a grant from the National Endowment for the Humanities (NEH). Any views, findings, conclusions or recommendations expressed in this these programs do not necessarily represent those of the NEH or New Hampshire Humanities.